tag:blogger.com,1999:blog-68058403246102047412024-03-13T22:10:52.907-07:00finale destination lostMarie Frankhttp://www.blogger.com/profile/04749938949735030356noreply@blogger.comBlogger4125tag:blogger.com,1999:blog-6805840324610204741.post-56175920610389907092014-07-14T22:34:00.001-07:002014-07-14T22:35:32.612-07:00Last Destination<div dir="ltr" style="text-align: left;" trbidi="on">
<div style="text-align: justify;">
<span style="font-size: large;">Last Destination is an
American loathsomeness establishment focused around an unproduced
spec script by Jeffrey Reddick, initially composed for the X-Files TV
arrangement. Conveyed by New Line Cinema, every one of the five
movies are focused on the subjects of submission to the inevitable,
destiny, and precognition, in connection to death. In a less
theoretical sense, each one film emphasizes a hero having a feeling
of a horrible mishap that would murder various individuals, including
the hero them self The hero and a few other individuals then escape
from the scene of the mishap, before it happens much the same as in
the hero's vision. The gathering of individuals then begin kicking
the bucket in an arrangement of unusual mischances that every now and
again take after Rube Goldberg machines in their intricacy.</span></div>
<div style="margin-bottom: 0cm; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="margin-bottom: 0cm; text-align: justify;">
<span style="font-size: large;">The arrangement is
paramount amongst others in the terribleness classification in that
the "scalawag" of the films is not the cliché slashers,
creatures, animals, mammoths, or evil spirits. It is the substance
Death itself, which controls the earth in fatal routes with the
purpose of "recovering" the individuals who some way or
another oversee to escape their destinies the first run through. Some
of them attempt to take their lives by submitting suicide, however
Death normally seems to defeat their arrangements to guarantee that
they kick the bucket the way it plans them to.</span></div>
</div>
Marie Frankhttp://www.blogger.com/profile/04749938949735030356noreply@blogger.com0tag:blogger.com,1999:blog-6805840324610204741.post-45670701142217544782013-02-15T06:01:00.000-08:002013-02-15T06:01:15.246-08:00Ew talk with Damon Lindelof and Carlton Cuse<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: 13.0pt; line-height: 115%;">EW: The whole idea of flash-sideways and the plan to use
season 6 to show us a world where Oceanic 815 never crashed — how long has that
been in the works? Why did you want to do it?</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 13.0pt; line-height: 115%;">DAMON LINDELOF: It’s been in play for at least a couple of
years. We knew that the ending of the time travel season was going to be an
attempt to reboot. And as a result, we [knew] the audience was going to come
out of the “do-over moment” thinking we were either going start over or just
say it didn’t work and continue on. [We thought] wouldn’t it be great if we did
both? That was the origin of the story.</span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 13.0pt; line-height: 115%;">CARLTON CUSE: We thought just doing one [of those options]
would inherently not be satisfying. Since the very beginning of the show,
characters started crossing through each other’s stories. Part of our desire
[in season 6] is to show that there’s still this kind of weave, that these
characters still would have impacted each other’s lives even without the event
of crashing on the Island. Obviously, the big question of the season is going
to be: How do these [two timelines] reconcile? However, for the fans who have
not watched the show closely, that’s an intact narrative. You can just watch
the flash sideways — they stand alone all by themselves. For the fans who are
more deeply embedded in the show, you can watch those flash sideways, compare
them to what transpired in the flashbacks and go, “Oh, that’s an interesting
difference.”</span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 13.0pt; line-height: 115%;">LINDELOF: Right out of the gate, in the first five minutes of
the premiere, you get hit over the head with two things that you’re not
expecting. The first is that Desmond is on the plane. The second thing that we
do is we drop out of the plane and we go below the water and we see that the
Island is submerged. What we’re trying to do there is basically say to you,
“God bless the survivors of Oceanic 815, because they’re so self-centered, they
thought the only effect [of detonating the bomb] was going to be that their
plane never crashes.” But they don’t stop to think, “If we do this in 1977,
what else is going to affected by this?” So that their entire lives can be
changed radically. In fact, it would appear that they’ve sunken the Island.
That’s our way of saying, “Keep your eyes peeled for the differences that
you’re not expecting.” Some of these characters were still in Australia, but
some weren’t. Shannon’s not there. Boone actually says that he tried to get her
back. There are all sorts of other people that we don’t see. </span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 13.0pt; line-height: 115%;">Where’s Libby?
Where’s Ana Lucia? Where’s Eko? These are all the things that you’re supposed
to be thinking about. When our characters posited the “What if?” scenario, they
neglected to think about what the other effects of potentially changing time
might be and we’re embracing those things.</span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 13.0pt; line-height: 115%;">That said, are you saying definitively that detonating
Jughead was the event that created this new timeline? Or is that a mystery
which the season 6 story will reveal?</span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 13.0pt; line-height: 115%;">LINDELOF: It’s a mystery. A big one.</span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 13.0pt; line-height: 115%;">CUSE: We did have some concern that it might be confusing
kind of going into the season. To clear that up a little bit: The archetypes of
the characters are the same and that’s the most significant thing. Kate is
still a fugitive. If you were to look at the Comic-Con video, for instance,
that now comes into play. There was a different scenario in that story. She
basically blew up an apprentice plumber as opposed to killing her biological
father/stepfather. Those kind of differences exist, but who the characters
fundamentally are is the same. If it becomes too confusing for you, you can
just follow the flash sideways for what they are. It’s not as though there’s
narrative that hangs on the fact that you need to know that this event was
different in that world, in the flashback world versus the sideways world.
That’s not critical for being able to process the narrative this season.</span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 13.0pt; line-height: 115%;">Is there a relationship between Island reality and sideways
reality? Will they run parallel for the remainder of the season? Will they fuse
together? Might one fade away?</span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 13.0pt; line-height: 115%;">LINDELOF: For us, the big risk that we’re taking in the final
season of the show is basically this very question. [Lindelof then explains the
show has replaced the trademark “whoosh!” sound effect marking the segue
between Island present story and flashbacks or flash-forwards, thus calling
conspicuous attention to the relationship between the Island world and the
Sideways world.] This is the critical mystery of the season, which is, “What is
the relationship between these two shows?” And we don’t use the phrase “alternate
reality,” because to call one of them an “alternate reality” is to infer that
one of them isn’t real, or one of them is real and the other is the alternate
to being real.</span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 13.0pt; line-height: 115%;">CUSE: But the questions you’re asking are exactly the right
questions. What are we to make of the fact that they’re showing us two
different timelines? Are they going to resolve? Are they going to connect? Are
they going to co-exist in parallel fashion? Are they going to cross? Do they
intersect? Does one prove to be viable and the other one not? I think those are
all the kind of speculations that are the right speculations to be having at
this point in the season.</span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 13.0pt; line-height: 115%;">LINDELOF: But it is going to require patience. We’ve taught
the audience how to be patient thus far, so while they’re getting a lot of
mythological answers on the island early in the season, this idea of what is
the relationship between the two [worlds] is a little bit more of a slow burn.</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 13.0pt; line-height: 115%;">Did Jughead really sink the Island? And is it possible that
the Sideways characters are now caught in a time loop in which they might have
to go back in time and fulfill the obligation to continuity by detonating the
bomb?</span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 13.0pt; line-height: 115%;">LINDELOF: These questions will be dealt with on the show.
Should you infer that the detonation of Jughead is what sunk the island? Who
knows? But there’s the Foot. What do you get when you see that shot? It looks
like New Otherton got built. These little clues [might help you] extrapolate
when the Island may have sunk. Start to think about it. A couple of episodes down
the road, some of the characters might even discuss it. We will say this:
season 6 is not about time travel. It’s about the implications, the aftermath,
and the causality of trying to change the past. But the idea of continuing to
do paradoxical storytelling is not what we’re interested in this year</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 13.0pt; line-height: 115%;">.</span></div>
</div>
Marie Frankhttp://www.blogger.com/profile/04749938949735030356noreply@blogger.com0tag:blogger.com,1999:blog-6805840324610204741.post-36295894271787743472012-08-09T03:47:00.000-07:002012-08-09T03:47:04.025-07:00Talk Destination Lost<div dir="ltr" style="text-align: left;" trbidi="on">"Destination Lost" is a clip show that aired during the hour before the premiere of Season 2 on September 21, 2005, showing events from the entire first season.<br />
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ABC once again invites new and avid Lost viewers to take another look at one of the most talked about shows. "Destination Lost" will explore the series in a way that will bring new viewers up to date—but which current viewers will also find illuminating—in anticipation of the series' second season premiere. From the back stories of some of the most interesting characters on television to the mysteries of the Island, "Destination Lost" will provide an insightful glimpse into the lives of some of the survivors of the doomed Oceanic Airlines Flight 815. </div>Marie Frankhttp://www.blogger.com/profile/04749938949735030356noreply@blogger.com0tag:blogger.com,1999:blog-6805840324610204741.post-85538265349171432832011-08-17T02:17:00.001-07:002011-08-17T02:17:16.610-07:00USCIS, FBI Eliminate National Name Check Backlog<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
WASHINGTON—U.S. Citizenship and Immigration Services (USCIS) today announced that, in partnership with the Federal Bureau of Investigation (FBI), it has met all milestones set forth in a joint business plan announced April 2, 2008, resulting in the elimination of the FBI National Name Check Program (NNCP) backlog.<br />
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“Our close partnership with the FBI has resulted in the accomplishment of this significant achievement with national security as its foundation,” said USCIS Acting Deputy Director Michael Aytes. “This continued working relationship will help to ensure that name check processing is accomplished as quickly as possible without compromising security concerns.”<br />
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The final goal of the business plan was to achieve a sustainable performance level by the NNCP of completing 98 percent of name check requests submitted by USCIS within 30 days, and the remaining two percent within 90 days. This performance level will become the new standard.<br />
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These vastly improved performance levels were achieved through a variety of collaborative steps taken by USCIS and the FBI, including:<br />
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an increase in NNCP staffing made possible by the transfer of appropriated funds from USCIS funding and additional fee revenue for name check processing;<br />
name check process improvements initiated by the FBI;<br />
refinements in the name check file search criteria which enabled the FBI to focus on files most likely to yield pertinent search results;<br />
training of NNCP staff on USCIS adjudication requirements and the applicability of name check search results to USCIS adjudications; and<br />
other cooperative measures including assignment of USCIS personnel to the NNCP.<br />
As is the case with all security checks undertaken by USCIS, any information provided by the FBI through these checks may require further evaluation and may need additional interaction with agencies outside USCIS to obtain updated or additional information. This could result in additional delays in processing and is not governed by the processing goals contained in the joint business plan.<br />
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In the majority of instances, however, the completion of a backlogged FBI name check has resulted in a “no record response.” As a result, USCIS has been able to resume normal processing of most cases which most often ends in a final determination of eligibility. Next steps in the adjudication of cases that were previously delayed as a result a pending FBI name check request may now include updating fingerprint results, scheduling interviews, requesting additional evidence and other reviews to determine whether the applicant is eligible for the requested immigration benefit.<br />
</div>
Marie Frankhttp://www.blogger.com/profile/04749938949735030356noreply@blogger.com0